Eminem has always been adept at running dizzying circles around his critics, nullifying attacks by embracing and one-upping them.
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On this anguished highlight from Recovery , Eminem unburdens himself with honest, plainspoken revelations. He says Eminem initially responded with a bar verse, so he returned with 50 and the ante kept being raised — 60, 62, 64 — until it ended up as a tune where each rapper goes for about 2 minutes and 30 seconds apiece. Connecting syllables, metaphors, punchlines and similes is a dying art.
For those of us who still love rapping for the sake of showing how good one can rap , Eminem is our only mainstream voice. As his fame ballooned at the turn of the millennium, Eminem was still reaching back to the mostly East Coast underground that had inspired and sustained him since before his debut album Infinite. I can hear the nuances in his tone, and his rhythm was insane, and this is him starting out as a kid. We recognized that there was something there that was special.
They Don't Know
Rather than escalating any one mood, the song stays dysphoric and ambiguous. But two people asked me if I was a member of D Missy Elliott was a key black artist to co-sign Eminem early on. In other words, he keeps his bullshit in check and comes across like the everyday Marshall Mathers, a year-old single dad still dealing with a dumpster-fire marriage, but also a mature adult who is capably raising three kids — Hailie, niece Alaina who is also mentioned in the song and half-brother Nate.
Contrary to his well-earned reputation as a fearless cultural provocateur, Eminem has long written sentimental songs that give context and nuance to his emotional outbursts.
Roots Girl (feat. Paula Fuga & Nattali Rize)
Even Em got more than he bargained for out of the collaboration. Not only did Em get a hook and an outrageous Slim Shady-esque verse from Lamar, but he also had a song that forced listeners to reckon with the conceptual genius of both rappers. In , Jay-Z and Eminem became the first examples of what happens when the most famous rappers in the world are over The blockbuster collaboration between Eminem and Rihanna grew out of a loop that the British producer Alex Da Kid brought to songwriter Skylar Grey, which inspired her to write about her mistreatment by the music industry.
When Eminem got the track, he wanted it for his Recovery album, but felt that only Rihanna could bring the necessary emotion. However he seems to shrug whenever he talks about the song, which was recorded in one take. He says he barely remembers that session; for him, it was just another day of mapping out multiple internal-rhyme schemes.
In the third verse of this six-minute exhibitionistic display, he famously references J. In , a then-unknown Eminem flew to Los Angeles from Detroit to participate in the battle-rap competition Rap Olympics. With the event sparsely attended, DJs Sway and King Tech, hosts of the hugely influential Wake Up Show, agreed to put the rapper and other competitors on-air to help increase their exposure. He had that and was adding a weird humor to it, so he definitely stood out.
The feedback for weeks was all positive.
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It was unusual but dope. It sums up the whole album. Hailie even appears on the track.
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When she found out I used our daughter to write a song about killing her, she fucking blew. He follows his own artistic path. In print, his interrogation of his position as a rich and famous white rapper seems almost matter-of-fact. He petulantly jabs at bubblegum pop, boy bands and fellow Detroit pottymouths the Insane Clown Posse.
I wanted to just spit fire in each verse and have the soft-ass innocent chorus. But then you go to Tupac and he made songs. I want to fucking punch someone in the face when I put this CD in.
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I wanted to do all that shit. My goal … is to be technically able to satisfy every underground or every great rapper there is and also be able to try to incorporate it into a song. The album includes both covers and one original track by Nicholas and Kaniela. At seventy-eight, Danny Kaleikini—also known as Kaniela—is an iconic figure in the world of Hawaiian music.
Nicholas discovered Kaniela had already recorded the track in Hawaiian in the eighties.
Larry Kimura a professor from the University of Hawaii at Hilo originally translated the song for Kaniela and revised the Hawaiian lyrics for this project. There are many reasons why Kaniela has captivated audiences and claimed his honored title as the steward of aloha, but for Nicholas his ability to connect directly with people has had the greatest impact. This classic song contains a lifetime when sung by someone who has lived enough to put their depths into it. As a performer what makes Kaniela so incredible is the way he fills the space with the fullness of his sound. In this final track the bigness of his presence in life and on stage comes through a song that speaks to the journey he took to achieve it.
I wanted to make this EP to make people happy, to put a simile on your face, or empower you to do things the way you want to, the way you envision it.